Framed in a handmade, black and silver-coloured solid wood frame. Limited edition of 980 copies, numbered, with certificate. ![]() ![]() Edition transferred directly onto artist's canvas using the Fine Art Giclée process and stretched onto a stretcher frame. Azure-Eyes Silver Dragon 1st Edition prices (YuGiOh Saga of Blue-Eyes White Dragon Structure Deck) are updated daily for each source listed above. Original: 1918, oil on canvas, 81 x 54 cm, Musée d'Art Moderne De Paris, Paris. Never has a Structure Deck been released. Modigliani also applied this characteristic style to this work. Thats not all, introducing Azure-Eyes Silver Dragon, a powerful new Synchro Monster whose impact is immeasurable. He made the elongated torsos, and mask-like faces his typical unique selling point. Only a few succeeded in creating such unmistakable imagery as the Italian painter and sculptor. IN-934638 Picture "Woman with Blue Eyes" (1918), black and silver-coloured framed version InStockĮUR Amedeo Modigliani was one of the most exceptional artists at the beginning of the 20th century. The tragedy of his life was his ailing health aggravated by alcohol and drug addiction, to which he succumbed at the age of 35. The portraits and nudes, to which landscapes were added only in the last two years of his life, bear witness to the artist's great sensitivity. In the depicted faces as well as in the figures, the painter combines grace with melancholy. Through the warm ochre and yellow tones and the fresco-like application of the colours, the heritage of Florentine-Sienese painting lives on in his works. Therefore, he painted numerous portraits of his friends, poets and artists from the circle of Parisian intellectuals. In his portraits, Modigliani wanted to make the character of the sitter vivid. In their works, they articulated the world of sensation, turning the sitters into bearers of feeling and thus understanding the psychological moment as the most important pictorial statement. Together with Marc Chagall and Chaim Soutine, Modigliani formed part of the triad of Jewish artists in Paris who clearly separated themselves from these new styles. Fauvism and Cubism were nothing more than just formal and technical stimuli for Modigliani. Nevertheless, his works can never quite be assigned to the avant-garde art movements at the beginning of the 20th century. From 1909, Modigliani began to study African sculptures, whose visual language had an influence on his style and sculptures. AzureEyesSilverDragon-LCKC-EN-ScR-1E.
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